Vivienne Westwood offers women Anglomania. A new essence that shares the name of her clothing line blending denim with cultural diversity. After the sophisticated, intimate Boudoir, and the not-so-innocent, ingénue Libertine, Anglomania pairs British tradition with Asian intensity. This laid-back and eclectic new essence will attract high-spirited, extroverted women… in a word – Westwood women!
The Westwood woman is feminine and has a strong personality. The perfume is meant for women who are know their own worth and who take the time to take care of themselves and of their beauty. Like a boudoir - the most intimately feminine of rooms - this fragrance defines a private space that's delicate and full of charm, where women go to apply perfume to their naked skin, to the curves of their neck and shoulders. This is an intimate juice, extremely fanciful and mightily sensuous. The name exudes elegance, luxury, and a certain savoir vivre that evokes the refinement of a golden age, illustrated by the "Grand Siècle" eroticism of the ad and the fragrance's pink hue.
Inspired by Boudoir, Boudoir Sin Garden is an invitation to hide and seek in an English country garden. A bright spring day, the air is limpid, the lawns are lush. Birdsong on the breeze and the scent of trees in blossom. The world feels fresh. Fresh for temptation, fresh for love..
Vivienne Westwood boldly states, ‘The only reason I’m in fashion is to destroy the word Conformity’. And her latest perfume was designed in the same spirit. Let It Rock was inspired by Westwood’s first love, the punk-rock fashion and music movement that she helped found in the 70’s in rebellion against the monarchy and the British establishment of the time. A rebellious rock ‘n roll spirit that is flaunted in the impertinent bottle – a sceptre tagged with lipstick.
Vivienne Westwood is in love with the spirit of the seventeenth century, "the century of the Sun King". She is fascinated by history and particularly the history of English monarchy. Her ultra-sensual fashion highlights feminine curves. Starched collars, plunging necklines, hour-glass figures, fabrics reminiscent of Jouy tapestries are all part of the grand century that inspires her in fashion design and perfumes. With her perfume Libertine, we rediscover her sources, but its fragrance is lighter, yet more biting and playful than Boudoir, her first perfume.
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